一带一路画敦煌 传记●历史
敦煌研究院
广西科学技术出版社(2016-4-1)
48元 / 64页
9787555105411
标签: 敦煌 绘本 历史 填色 中国 纹说画意
一千六百五十年前,敦煌画工和你在做同一件事——为敦煌石窟上色。一千六百五十年后,敦煌研究院想做一件有意思的事——用一本“内含5个玄机”的书,给敦煌石窟上色。
一千六百五十年前,你用朱砂铅黄,画一笔飞天独舞,你说用心细细勾注,可修得来世福。一千六百五十年后,我用彩笔拓纸,涂半纸璎珞千柱。为何千佛有形易画,情之一字难书?
“你所有的骄傲,只能在画里飞”——《这盛世,如飞天所愿》是“一带一路画敦煌”系列涂色书的第一本。全书以敦煌飞天为主题,内附6张半透明硫酸纸和罕见壁画真迹影像,可以用临拓古法描摹壁画。内含25组“左右对照跨时空”涂色部分,左页是壁画真迹影像,右页是对应的黑白线稿涂色,在左右对照中体会千年古董壁画的历史和当下。全书附藏经洞大唐《金刚经》珍贵残卷书法跨页(文字可涂色),可以用彩笔给罕见国宝经卷的每一个原字线描涂色,极具收藏价值。全书所有可涂色线描稿,均非后人临摹,而是敦煌研究院运用最新科技,直接从古壁画中提取而成。
About the Book:
One thousand six hundred and fifty years ago, the Dunhuang artists are doing a same thing as you now——coring for Dunhuang Frescoes. Now Dunhuang Academy China did an interesting book for you——coring for Dunhuang Frescoes
There are 3 books in the series of <Coloring for Dunhuang Frescoes>, and this is the first one themed based “flying Apsaras” (as in the frescoes of the Dunhuang Caves).
In this book, you have 6 translucent drawing papers with the most precious Dunhuang frescoes photographs, and you can depict and coring the frescoes with translucent drawing papers.
Besides, you have 25 suits of beautiful Dunhuang frescoes photographs with matching line drawings. You can color for them with your own imagination.
Last but not least, you can color the < Diamond Sutra> rubbings from Tang Dynasty in the book! The original <Diamond Sutra> from Tang Dynasty was found in Dunhuang Caves, which is one of the most valuable national treasures in China, Now, you can color each words of the Sutra with your own coring pencils.
广西科学技术出版社(2016-4-1)
48元 / 64页
9787555105411
标签: 敦煌 绘本 历史 填色 中国 纹说画意
一千六百五十年前,敦煌画工和你在做同一件事——为敦煌石窟上色。一千六百五十年后,敦煌研究院想做一件有意思的事——用一本“内含5个玄机”的书,给敦煌石窟上色。
一千六百五十年前,你用朱砂铅黄,画一笔飞天独舞,你说用心细细勾注,可修得来世福。一千六百五十年后,我用彩笔拓纸,涂半纸璎珞千柱。为何千佛有形易画,情之一字难书?
“你所有的骄傲,只能在画里飞”——《这盛世,如飞天所愿》是“一带一路画敦煌”系列涂色书的第一本。全书以敦煌飞天为主题,内附6张半透明硫酸纸和罕见壁画真迹影像,可以用临拓古法描摹壁画。内含25组“左右对照跨时空”涂色部分,左页是壁画真迹影像,右页是对应的黑白线稿涂色,在左右对照中体会千年古董壁画的历史和当下。全书附藏经洞大唐《金刚经》珍贵残卷书法跨页(文字可涂色),可以用彩笔给罕见国宝经卷的每一个原字线描涂色,极具收藏价值。全书所有可涂色线描稿,均非后人临摹,而是敦煌研究院运用最新科技,直接从古壁画中提取而成。
About the Book:
One thousand six hundred and fifty years ago, the Dunhuang artists are doing a same thing as you now——coring for Dunhuang Frescoes. Now Dunhuang Academy China did an interesting book for you——coring for Dunhuang Frescoes
There are 3 books in the series of <Coloring for Dunhuang Frescoes>, and this is the first one themed based “flying Apsaras” (as in the frescoes of the Dunhuang Caves).
In this book, you have 6 translucent drawing papers with the most precious Dunhuang frescoes photographs, and you can depict and coring the frescoes with translucent drawing papers.
Besides, you have 25 suits of beautiful Dunhuang frescoes photographs with matching line drawings. You can color for them with your own imagination.
Last but not least, you can color the < Diamond Sutra> rubbings from Tang Dynasty in the book! The original <Diamond Sutra> from Tang Dynasty was found in Dunhuang Caves, which is one of the most valuable national treasures in China, Now, you can color each words of the Sutra with your own coring pencils.
作者介绍
作者简介:线描稿:
本书所有的壁画线描稿,非后人临摹,而是由敦煌研究院在原壁画基础上运用计算机技术进行提取和修复。敦煌研究院是国家设立的负责世界文化遗产敦煌莫高窟、全国重点文物保护单位安西榆林窟和敦煌西千佛洞保护、管理和研究的综合性专门机构。敦煌研究院的前身是成立于1944年的敦煌艺术研究所,新中国建立后于1950年成立敦煌文物研究所。1984年,在敦煌文物研究所的基础上扩建为敦煌研究院。
壁画:
本书的壁画原作者,是距今一千六百五十年历史的敦煌画工。他们来自北凉北魏,来自隋唐宋元,来自回鹘西夏……他们是一千多年前来自民间的画工,很多画工只是带着“敦煌”的信念,一生在冰冷的石窟中留下如此灿烂的壁画文明,却连一个名字都有留下。我们不知道这些画工是谁,只知道,他们是祖先,是创造如此绚烂的东方文明的“微尘众”。
about the Author
Line Drawings:
All the line Drawings in the book were made by Dunhuang Academy China, which was found in 1944. Dunhuang Academy China is the merely national institution in China for the protection and management of the Dunhuang Caves and Frescoes.
Frescoes:
The Dunhuang Frescos, which were listed as world cultural heritage in 1987, were drawn by the Chinese folk artists a thousand years ago. Those artists were from different dynasties during Chinese history, Different from other Cave Frescos in China, most of the Dunhuang artists were not hired or paid by any ancient Chinese governments. Those artists spend their whole lifetime on drawing the frescos initiatively without leaving a name. The merely spiritual pillar for them is the faith of beauty.